v i s u a l . a r t i s t
THE SACREDNESS OF POVERTY
Space occupation with reduced imput of materials and a minimum use of techniques en knowledge’s.
1/6 SELF PORTRAIT WITH ADVOCADO PLANT, poster A0, 2015
2/6 A ROOF, installation, wood, hangers, plastic bags, 300/300 cm, studio 2014
3/6 UNTITLED, bamboo, plastic bags, advocado plant, 200/80/110cm, 2014
4/6 THE GRASSMAN , installation, clothes, soil, seeds 200/70cm, studio 2014
5/6 EMERGED, installation remains, 2014
6/6 SHELTER, installation, materials remains, 220/220/140 cm, studio 2014
CROIRE À L"ENVERS (the reversed faith)
_ spThe reversed faith is an exploration of the relationship between intuition and religious belief.
Using the making of artificial idols and reversing the process of worshipping.
1/8 HEAD 4/4, textile, leather, 270/140 cm 2011
2/8 HEAD 2/4, paper, textile, fish scales, 130/130 cm 2011
3/8 HEAD 3/4 textile, leather, metal, plastic 170/140 cm 2011
4/8 HEAD 1/4, paper, textile, plastics, fish scales,125/125 cm 2011
5/8 EX-VOTO, steel epoxy, 260/260/70 cm, 2012
6/8 EX-VOTO detail, steel, epoxy, 260/260/70 cm 2012
PASSER LA LIGNE
10 min video for museum ruim 1op10 at Museum Gouda on a poem of Henri Michaux: M O U V E M E N T S
video trailer Passer la ligne
MUES (the moult)
MUES is a série of works inspired by “face aux verrous” of Henri Michaux and "la vie materielle" of Maguerite Duras.
Poems and lyrics are the starting point of a process of which the images are the remains.
1/6 WOOLEN HEAD, wool, metal, glas, beads, nylon 60/40 cm 2008
2/6 MORT D'UN JEUNE PILOTE ANGLAIS, parachute fabric ww2, textile, plastic bags, 155/70/25cm 2008 (photo Monique Hoffman)
3/6 CLOTH, textile, plactic bags, 215/250cm 2007 (photo Monique Hoffman)
4/6 SLEEPY HORSE, textile, metal, plaster, wood 150/300/50cm 2008
5/6 MUE 2, multiple materials 210/150cm 20086
7/6 from left to right (photo Monique Hoffman)
CLOTH 2, textile, plastic, 240/170cm 2008
SLEEPY HORSE, textile, metal, plaster, 150/300/50cm 2008
MUE1, multiple materials 235/120cm 2008